Complete Odes and Welcome Songs, Volume 5 Henry Purcell

The most used Key signature in this album is m. with minor being the most reccurent mode.

Harmonic Profile Complete Odes and Welcome Songs, Volume 5

Album has 1 different key signatures, divided as follows:
(Try refreshing the page chart is incomplete)

songs are minor (out of 29).

minor

Tracklist Complete Odes and Welcome Songs, Volume 5

Ode, Z 338 "Welcome, welcome, glorious morn": I. Symphony

2'24

Ode, Z 338 "Welcome, welcome, glorious morn": II. Aria (High Tenor) - Chorus "Welcome, welcome, glorious morn"

1'36

Ode, Z 338 "Welcome, welcome, glorious morn": III. Duet (High Tenor, Bass) - Ritornello - Chorus "At thy return"

4'01

Ode, Z 338 "Welcome, welcome, glorious morn": IV. Duet (Alto, Bass) "Welcome as when three happy Kingdoms strove"

2'38

Ode, Z 338 "Welcome, welcome, glorious morn": V. Aria (Tenor) " THe mighty Goddess of this wealthy Isle"

1'32

Ode, Z 338 "Welcome, welcome, glorious morn": VI. Trio (Alto, High Tenor, Bass) - Chorus - Ritornello "Full of Wonder and Delight"

1'53

Ode, Z 338 "Welcome, welcome, glorious morn": VII. Aria (Tenor) - Chorus "And lo! a sacred Fury swell'd her Breast"

3'16

Ode, Z 338 "Welcome, welcome, glorious morn": VIII. Aria (Soprano) - Chorus "My Pray'rs are heard"

3'55

Ode, Z 338 "Welcome, welcome, glorious morn": IX. Duet (Basses I-II) "He to the Field by Honour call'd"

1'43

Ode, Z 338 "Welcome, welcome, glorious morn": X. Aria (High Tenor) "Whilst undisturb'd his happy Consort reigns"

1'46

Ode, Z 338 "Welcome, welcome, glorious morn": XI. Aria (Tenor) - Chorus "Sound, all ye Spheres"

2'28

Ode, Z 327 "Great parent, hail to thee": I. [Symphony]

2'28

Ode, Z 327 "Great parent, hail to thee": II. Trio (Alto, Tenor, Bass) - Chorus "Great Parent, Hail!"

2'15

Ode, Z 327 "Great parent, hail to thee": III. Aria (Alto) "Another Century commencing"

2'22

Ode, Z 327 "Great parent, hail to thee": IV. Duet (Tenor, High Tenor) "After War's, Alarms repeated"

3'15

Ode, Z 327 "Great parent, hail to thee": V. Aria (Bass) "Awful Matron take thy Seat"

3'24

Ode, Z 327 "Great parent, hail to thee": VI. Aria (Tenor) - Chorus " She was the first who did inspire"

1'57

Ode, Z 327 "Great parent, hail to thee": VII. Duet (High Tenor, Bass) "Succeeding Princes next recite"

1'49

Ode, Z 327 "Great parent, hail to thee": VIII. Chorus "But chiefly Recommend to Fame"

1'31

Ode, Z 327 "Great parent, hail to thee": IX. Symphony - Aria (Soprano) "Thy Royal Patron sung"

3'54

Ode, Z 327 "Great parent, hail to thee": X. Chorus "With themes like these"

1'35

Ode, Z 337 "The summer's absence unconcerned we bear": I. Symphony

2'26

Ode, Z 337 "The summer's absence unconcerned we bear": II. Aria (Bass) - Trio (Alto, Tenor, Bass) - Chorus - Ritornello "The summer's absence we unconcerned bear"

3'23

Ode, Z 337 "The summer's absence unconcerned we bear": III. Aria (Alto) - Chorus - Ritornello "And when late from your Throne"

2'16

Ode, Z 337 "The summer's absence unconcerned we bear": IV. Aria (Bass) - Duet (Sopranos I-II) - Chorus "Ah! had we, Sir, the power or art"

2'30

Ode, Z 337 "The summer's absence unconcerned we bear": V. Trio (Alto, High Tenor, Bass) - Ritornello "Happy while all her neighbours bled"

1'32

Ode, Z 337 "The summer's absence unconcerned we bear": VI. Aria (Tenor) "So happily still you your counsels employ"

1'12

Ode, Z 337 "The summer's absence unconcerned we bear": VII. Aria (Alto) - Ritornello "These had by their ill usage"

2'29

Ode, Z 337 "The summer's absence unconcerned we bear": VIII. Aria (Tenor) - Chorus "But these no more shall dare repine"

2'18

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