The most used Key
signature in this album is m.
with minor being the most reccurent mode.
Harmonic Profile Symphonies Nos. 94 "Paukenschlag", 73 "La Chasse", 30 "Alleluja" (Wiener Akademie auf Originalinstrumenten feat. conductor: Martin Haselböck)
Album has 1 different key signatures, divided as follows:
(Try refreshing the page chart is incomplete)
songs are minor (out of 11).
Tracklist Symphonies Nos. 94 "Paukenschlag", 73 "La Chasse", 30 "Alleluja" (Wiener Akademie auf Originalinstrumenten feat. conductor: Martin Haselböck)
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1
Symphonie No. 94 G-dur, Hob. I:94 "Paukenschlag": I. Adagio - Vivace assai
8'52
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2
Symphonie No. 94 G-dur, Hob. I:94 "Paukenschlag": II. Andante
6'10
-
3
Symphonie No. 94 G-dur, Hob. I:94 "Paukenschlag": III. Menuet: Allegro molto
4'17
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4
Symphonie No. 94 G-dur, Hob. I:94 "Paukenschlag": IV. Finale: Allegro di molto
4'18
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5
Symphonie No. 73 D-dur, Hob. I:73 "La Chasse": I. Adagio - Allegro
6'54
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6
Symphonie No. 73 D-dur, Hob. I:73 "La Chasse": II. Andante
5'12
-
7
Symphonie No. 73 D-dur, Hob. I:73 "La Chasse": III. Menuetto: Allegretto
2'48
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8
Symphonie No. 73 D-dur, Hob. I:73 "La Chasse": IV. La Chasse: Presto
5'26
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9
Symphonie No. 30 C-dur, Hob. I:30 "Alleluja": I. Allegro
4'47
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10
Symphonie No. 30 C-dur, Hob. I:30 "Alleluja": II. Andante
4'59
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11
Symphonie No. 30 C-dur, Hob. I:30 "Alleluja": III. Finale: Tempo di Menuet, più tosto Allegretto
3'59
