The Piano Sonatas

The Piano Sonatas York Bowen

The most used Key signatures in this album are D, A, with major being the most reccurent mode.

Harmonic Profile The Piano Sonatas

Album has 10 different key signatures, divided as follows:
(Try refreshing the page chart is incomplete)

12 songs are major (out of 19).

major

Tracklist The Piano Sonatas

Piano Sonata no. 1 in B minor, op. 6: I. Allegro con fuoco

Piano Sonata no. 1 in B minor, op. 6: II. Larghetto

Piano Sonata no. 1 in B minor, op. 6: III. Tempo di Minuetto

Piano Sonata no. 1 in B minor, op. 6: IV. Allegro con brio (con bravura)

Piano Sonata no. 2 in C-sharp minor, op. 9: I. Allegro

Piano Sonata no. 2 in C-sharp minor, op. 9: II. Andante sostenuto

Piano Sonata no. 2 in C-sharp minor, op. 9: III. Allegro molto

Piano Sonata no. 3 in D minor, op. 12: I. Allegro ma non troppo

Piano Sonata no. 3 in D minor, op. 12: II. Andante cantabile

Piano Sonata no. 3 in D minor, op. 12: III. Allegro molto con fuoco

Short Sonata in in C-sharp minor, op. 35 no. 1: I. Andante con moto

Short Sonata in in C-sharp minor, op. 35 no. 1: II. Lento espressivo

Short Sonata in in C-sharp minor, op. 35 no. 1: III. Presto scherzando

Piano Sonata no. 5 in F minor, op. 72: I. Moderato

Piano Sonata no. 5 in F minor, op. 72: II. Andante semplice

Piano Sonata no. 5 in F minor, op. 72: III. Allegro con fuoco — Più lento — Più mosso e con fuoco

Piano Sonata no. 6 in B-flat minor, op. 160: I. Moderato e serioso — Allegro risoluto e con fuoco —

Piano Sonata no. 6 in B-flat minor, op. 160: II. Intermezzo: Poco lento e tranquillo —

Piano Sonata no. 6 in B-flat minor, op. 160: III. Finale alla toccata: Allegro molto e con spirito

Recent albums by York Bowen

Joop Celis plays York Bowen, Volume 4: Partita / Third Suite / Three Novelettes

2010

Joop Celis plays York Bowen, Volume 3: Short Sonata / Toccata / Ballade no. 2

2009

Joop Celis plays York Bowen, Volume 2: Fantasia / Sonata no. 5 / Four Bagatelles

2007

Joop Celis plays York Bowen: Rêverie / 24 Preludes / Sonata no. 6

2005